Genuine Fractals 5 Print Pro
Genuine Fractals 5 Print Pro is the industry standard for image resizing. It is renowned across the photographic and printing industries for its ability to increase image size well over 1000% without the loss of sharpness or detail that you would normally expect. Its patented, fractal based interpolation algorithms work like nothing else and the results speak for themselves.

Genuine Fractals 5 Print Pro is a must for any photographer who makes large format and poster sized prints. Its also great for journalists, sports and wildlife photographers who may need to take a cropped section of an image and make a high-quality print from it. Genuine Fractals 5 can even work its magic with digital video still frames "up-rezzing" from standard-definition to high-definition video quality.

Graphic designers can end the everyday problem of receiving low resolution images from clients for high resolution print work such as magazine publications or tradeshow and billboard graphics.

PhotoTools 1.0 Professional Edition
Whether you are new to photography and have never experienced the darkroom or you are an experienced pro who has mastered photography you will appreciate the range of authentic camera, filter and darkroom techniques reproduced with PhotoTools 1.0 Professional Edition. PhotoTools 1.0 Professional Edition contains 250 effects by Jack Davis, Kevin Kubota and onOne Software that faithfully reproduce camera filters like neutral density, color correction and polarization as well as darkroom techniques and alternative processes like solarization, cyanotype and more. You can even simulate the look of different films with the a wide range of grain and contrast effects.

The key to PhotoTools 1.0 Professional Edition is its unique ability to provide full-screen previews of an effect on your image before you choose to apply it. But it isn’t just a single effect, you can stack multiple effects on top of each other just like you would camera filters. You can control the order of each effect and how they blend together for a truly unique look. You can even save your effect stacks so you can repeat them easily and even share them with your friends you have PhotoTools.

Mask Pro 4.1
Mask Pro 4.1 is the Photoshop plug-in recommended by Advanced Photoshop magazine that allows you to cut out a subject from the background by assigning keep and drop colors and simply painting away the background. Mask Pro 4.1 makes it easy to create masks, selections and clipping paths on difficult subjects like hair, glass and fog all in real-time. The built-in tutorials allow you to quickly learn how to mask even the most complex images.

PhotoFrame 3.1 Professional Edition
PhotoFrame 3.1 Professional Edition literally puts you into the digital darkroom. Now it is easy to add realistic film and darkroom edge effects to your images. Why stop at the darkroom? You can add artistic edges like torn paper, brush strokes or even realistic frames and mats you would hang on the wall. Stack multiple edges and frames to create your own unique look. Add the perfect finishing touch to your images with over 4,000 professionally created edge effects, allowing you to create an infinite number of effects.

PhotoTune 2.2
PhotoTune 2.2 is an Adobe® Photoshop plug-in that provides professional level color correction in an easy to use plug-in. PhotoTune 2.2 incorporates ColorTune technology (formerly known as 20/20 Color MD) with its patented color correction process and SkinTune technology, developed after more than two years of in-depth skin color research. PhotoTune 2.2 makes the tedious and time-consuming task of color correction simple and straightforward to improve your post-processing workflow.

FocalPoint 1.0
FocalPoint gives photographers a way to create realistic depth of field control, plane of focus control and selective focus to any image after it is photographed allowing for more control and precision. The focus bug control in FocalPoint has a tangible, hardware feel much like using a lens. It makes it fast for a photographer to define the "sweet spot" either in a round shape or a plane and then control how much and of what kind of blur they would like to add. This has a huge benefit over hardware tools like auxiliary lenses and filters because it allows the photographer to control the focus after the image is taken, giving them more control and requiring fewer shots in camera.